* Avid will integrate only servers that are Red Hat Enterprise Linux certified. Microsoft Windows Server 2019 or 2016 (64-bit) orĦ4-bit Red Hat Enterprise Linux 7.9* or CentOS 7.9ĭual-core 2.5 GHz or faster 64-bit (圆4) processor Quad-core 2.0 GHz or faster 64-bit (圆4) processor * A single MOS Gateway supports a maximum of two devices. Microsoft Windows Server 2019 or 2016 (64-bit) Microsoft Windows 10 Pro (64-bit, latest) Refer to the MediaCentral Server | UX specifications or MediaCentral | Cloud UX specifications MediaCentral | UX or MediaCentral | Cloud UX client license Refer to the MediaCentral Server | UX specifications or MediaCentral | Cloud UX specifications MediaCentral | UX or MediaCentral | Cloud UX Server and client license *Avid will integrate only servers that are Red Hat Enterprise Linux certified. Gigabit hub or switch (8 port or higher) for mirror network RHEL-certified DVD-ROM or USB DVD-ROM drive Mirror NIC and switch, as well as house NIC and switch, configured for 1500 MTU. Only ABC server (triple) systems require switches. Two Red Hat Enterprise Linux 7.9 or 7.7 Certified 1-Gigabit Ethernet network cards. Flash-backed cache or battery-backed cache option required. Multi-server configuration requires all servers to be on the same version.ĥ00 GB minimum RAID 5 or RAID 6 required. "Just looking at this release it's easy to see why other pointed out they are control freaks"Īs far as advantages go: Everything else comes down to workflow preferences: how you want to work, vs how the software forces you to work.MediaCentral | Newsroom Management SERVERĬentOS 7.9 or 7.7 (cloud or on-premises) or 64-bit Red Hat Enterprise Linux 7.9 or 7.7 Standard Edition (each on-premises). Mostly the older generation of editors, which is why they are having problems getting the next generations, as they are so out of touch with what the little guys need and or want. They are a very inflexible system, and rightly so, they cater to the top 1% of editors on hollywood feature films. But beyond that the advantage stops there. They are probable still the best in that regard, to online offline edits, tracking revisions, and proxy versions. Which you don't really need unless you are handling massive amounts of Data, and are still working with film. The Main advantage with MC vs FCPX is going to come down to hardware configuration, to get the most out of their software you need to invest in Nitris DX IO interface, and Storage Suite for Data. There will be options to expand Media Composer | First, from additional project and storage capacity to plug-ins, options, and additional applications to stock footage and music to upgrades to the full Media Composer. In addition, all projects will be stored in the cloud, and you’ll get a limited number of projects and a limited amount of cloud storage space. You can also expect that Media Composer | First won’t work with Avid Interplay Production, Interplay MAM, or MediaCentral UX, and that shared projects won’t be supported on ISIS storage systems. You can expect fewer settings, menus, timeline tracks, monitor features, bin features, titling features, effects and other features than the full Media Composer. However you can expect a limited feature set that makes Media Composer | First less intimidating to new users, but also less appealing to power users. Here's the answer from the FAQ:Īt this time we aren’t releasing detailed information on the feature set, as Media Composer | First is still in development, and won’t be available until later in 2015. What most of us are wondering is just how limited Media Composer | First will be compared to the full version. It would have been great if Avid had released more information on the new NLE, but unfortunately all we have thus far is a vague FAQ section that only sheds a little light on the specifics of what will and will not be included in Media Composer | First. Then, when they're ready for bigger, more complex projects, Media Composer | First users will have no problem moving up to the full version. The idea is to make Media Composer | First simple to learn and simple to use so that aspiring editors can get a feel for Avid's editorial process (keyboard-driven three point editing and trimming and such) without the overwhelming interface and array of options in the full software. Pretty soon, you'll be able to get your hands on it for free, kind of.Īvid today announced a brand new software called Media Composer | First and it's said to be a free and trimmed down version of the incredibly powerful full version Media Composer. Despite several powerful competitors, Avid Media Composer is still a dominant force in high-end editing.
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